Month: April 2013
PLS RESPECT OUR COPYRIGHTS: You can contribute to these efforts by purchasing the books for friends, schools and institutions; or requesting our customised LiTTours or LiTTributes – Email email@example.com for details
So masmen are enflamed. Again. Over prize money. Again. Are at loggerheads with the powers that be. Again.
It’s the continuing saga of bacchanalia.
Unless we weed out the endemic systems of dependency on which the celebrations were founded; and the governance system recast itself as mechanism that has the will to act; to revamp and develop adequate systems and structures and institutions that nurture and support artists and creators in ways that make them self-reliant, and that make the Carnival and other Festival Arts into the viable and sustainable creative industrial sector they can be, the recurring impasse over prizes, prize structure and prize money for pan, mas, calypso, soca, chutney, stickfighting, Hosay, Divali, Phagwa, Pichakarie, and everything in between would remain the never-ending story.
Somewhere in there is also the recurringly invisible cultural policy in state of perpetual draft over the last 50 odd years of so – yes, 50 years – and each time it resurfaces merely replicates the dependency syndrome!
Is it any wonder that we cannot see our way, despite the rich amalgam of talent and creativity we exhibit in our daily lives. Shortsightedness continues to doggers.
Where are the well-thought-out budgets that look beyond just the annual seven day wonder to an Industry? That takes into full account the contributions and the value – social, economic, political and other value included – of the cultural sector so budgetary focus can match that contribution, not reflect tokenism.
Where is the vision for building proper supportive trade and commercial structures and mechanisms?
Where are the mechaniims and facilities and facilitation for those more meaningful forms of compensation as insurance, pensions, support grants, support training and services that would build and strengthen the sector so ever so regularly we would not have to hear of how another of our artists is close to the breadline?
And where is the will by those in the sector – policy and decision makers, the corporate sector, and practitioners alike, to make it happen?
Are we really serious. Who’s fooling whom?
These are some of the endemic systematic changes and modes for institutional reform in a culture of transformation that discussions on constitutional reform should also take into account – how to redress the kind of institutional malaise that are inhibiting progress and meaningful development and effectively restructure public institutions, their relationships with the state and the state’s relationships to the civic mechanisms that they ought to sustain.
Countdown to the 25,000 reader of Demokrissy begins now….
The recent finds of skeletal remains and artefacts believed to be early century AD under the Red House Parliament Building in Port of Spain, Trinidad point to the need for a comprehensive archeological survey of Trinidad and Tobago. Trinidad and Tobago’s prehistoric connections with the American mainland holds enormous potential for opening up a vast field on new research activity. The new university campus in South Trinidad ought to look at establishing an all-encompassing programme in heritage studies that incorporate research, scientific, conservation, restoration and curatorial study among other fields that would advance the knowledge and understanding of Trinidad and Tobago’s prehistory and multicultural heritage.
|Nicole Drayton Photo from Guardian Report.I have no copyright claims on this
This also has value to the region and the world. We have for too long paid only lip service to our multiculturalism. The find under the Red House of bones potentially dating to the beginning of this epoch points to the significant need for a proper survey and actions to secure and protect zones that are of significant historical and prehistoric importance.
Why, forty years later, as one of the richest countries in the region, must we be looking to other universities from which to draw expertise when by now we should have full-fledged – not only archeological, but also conservation, restoration and other related programmes that explore the significance of our heritage beyond the current focus on song and dance mode? While scholarly collaborations are important, certainly we could be more advanced, and a leader rather than a follower in these fields in which several other less-resourced Caribbean countries are significantly more advanced.
Archaeologist on Red House find: Amerindian artefacts date back to AD 0-350
Amerindian artefacts found at Red House
LiTTour and LiTTscapes in spotlight as Bocas LiTFest Begins Thursday
Last 2 Days for Free LiTTour Offer: Register Now! call 1-868- http://goo.gl/pcZxm
Bocas Lit Fest begins tomorrow
Special LiTTour To Celebrate Port Of Spain
Special LiTTour to Celebrate Port of Spain
A special tour of Port of Spain through the eyes of award winning fictional writers and famous characters fiction will be offered to citizens and visitor to Trinidad and Tobago on Saturday April 27, 2013. Booking Form LiTTour April 27 2013. Deadline April 25: 2013
The LiTTour is an offspring of the critically acclaimed LiTTscapes – Landscapes of Fiction from Trinidad and Tobago by Dr Kris Rampersad.
It will celebrate Port of Spain as a creative city like no other. It takes place on Saturday April 27, 2013 from 8 am by prebookings only, leaving from the South Quay compounds of the Public Transport Service Corporation (PTSC).
This LiTTour is a special collaboration with PTSC’s Know Your Country Tours to expose the capital city as seen through the eyes of authors in its raw, real and pulsating states as one of the most creative cities in the world, of Trinidad and Tobago.
We hope to renew and heighten appreciation of our capital and understanding of the literary and creative imaginations that have been representing and reflecting us, and our city: our landscapes and our lifestyles; our institutions, our cultural life, our politics, our architecture. We hope such appreciation can defray violent and negative practices that misrepresent who we are as a people and encourage young people into creative activity and away from lives in crime.
The LiTTour will be free to persons who between now and April 25, 2013, purchase, a copy of LiTTscapes – Landscapes of Fiction from Trinidad and Tobago. For details contact 1-868-377-0326; email firstname.lastname@example.org and visit:www.kris-rampersad.blogspot.com.
LiTTscapes describes through descriptions and photographs how some 60 writers in more than 100 works have portrayed Trinidad and Tobago in literature from as early as 1595 to present day. It is designed by Sonja Wong. Head of the Guyana Prize for Literature, Professor Al Creighton described LiTTscapes as a work of art; a documentary, a travelogue, a critical work with visual and literary power. It takes us on a tour of the country, giving some exposure to almost every aspect of life, at the same time exploring the literature to indicate how the writers treat the subjects, what they or their fictional characters say, and how they are used in the plots. Photographs are accompanied by the descriptions and literary excerpts of the capital city, other towns, streets, urban communities, villages, historic buildings and places, vegetation, animals, institutions, culture and landscape. There is considerable visual beauty, what Derek Walcott calls “visual surprise”.
In conjunction with LiTTscapes and LiTTours, launched last August, we has also introduced LiTTributes – events in tribute to Caribbean cultures and creativity which have to date been staged in Guyana, Antigua and Trinidad and Tobago and soon in the UK and USA. They are meant to promote literacy, creativity and interactive appreciation of the global multicultural milieu Trinidad and Tobago.
Customade LiTTributes and LiTTours based on district, theme or body of literature are available on request.
For details contact 1-868-377-0326; email email@example.com and visit:www.kris-rampersad.blogspot.com; https://www.facebook.com/kris.rampersad1; https://sites.google.com/site/krisrampersadglobal/; http://caribbeanliterarysalon.ning.com.
Booking Form: https://docs.google.com/forms/d/1m5OdAF9aek29CLOfVp8xgkNc9kJtFAgjXm7I_jMQ-gk/viewform