Trying to open Caricom eyes to what reparations really mean, instead I opened my mailbox and there was a polling card – along with all kinds of documents of misdeeds here and there ’cause that’s wat mail boxes are for, aint? I need to be convinced if I should vote, and who for, and why? So convince me nah, and keep the comments clean, okay, my vote’s on you… Website: krisrampersadglobal
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So masmen are enflamed. Again. Over prize money. Again. Are at loggerheads with the powers that be. Again.
It’s the continuing saga of bacchanalia.
Unless we weed out the endemic systems of dependency on which the celebrations were founded; and the governance system recast itself as mechanism that has the will to act; to revamp and develop adequate systems and structures and institutions that nurture and support artists and creators in ways that make them self-reliant, and that make the Carnival and other Festival Arts into the viable and sustainable creative industrial sector they can be, the recurring impasse over prizes, prize structure and prize money for pan, mas, calypso, soca, chutney, stickfighting, Hosay, Divali, Phagwa, Pichakarie, and everything in between would remain the never-ending story.
Somewhere in there is also the recurringly invisible cultural policy in state of perpetual draft over the last 50 odd years of so – yes, 50 years – and each time it resurfaces merely replicates the dependency syndrome!
Is it any wonder that we cannot see our way, despite the rich amalgam of talent and creativity we exhibit in our daily lives. Shortsightedness continues to doggers.
Where are the well-thought-out budgets that look beyond just the annual seven day wonder to an Industry? That takes into full account the contributions and the value – social, economic, political and other value included – of the cultural sector so budgetary focus can match that contribution, not reflect tokenism.
Where is the vision for building proper supportive trade and commercial structures and mechanisms?
Where are the mechaniims and facilities and facilitation for those more meaningful forms of compensation as insurance, pensions, support grants, support training and services that would build and strengthen the sector so ever so regularly we would not have to hear of how another of our artists is close to the breadline?
And where is the will by those in the sector – policy and decision makers, the corporate sector, and practitioners alike, to make it happen?
Are we really serious. Who’s fooling whom?
These are some of the endemic systematic changes and modes for institutional reform in a culture of transformation that discussions on constitutional reform should also take into account – how to redress the kind of institutional malaise that are inhibiting progress and meaningful development and effectively restructure public institutions, their relationships with the state and the state’s relationships to the civic mechanisms that they ought to sustain.
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